
Del Rey feels overwhelmed to the point of despair and compares her struggles to the tragic death of Princess Diana and the possible role of the hounding paparazzi in her passing: “The cameras have flashes, they cause the car crashes / But I’m not a star.”Īs exemplified by her music, romance never comes easy for Lana Del Rey. It’s unclear exactly where, but a place that doesn’t include the never-ending spotlight and pressure of Calabasas. This same spirit can be found on “Wild At Heart,” a dreamy, scintillating song that follows Del Rey as she drifts to the Midwest. This also conjures an adventurous pioneer spirit carried out through the song’s majestic melody. She contains a sense of wistful freedom as she dreams of an escape from her constraints. The production is extremely minimal and her voice is able to roam prolonged. It positions her under the sun at the country club in a state of blissful ignorance while spotting supposed “chemtrails” in the sky. The title track delves into these two seemingly unrelated ideas and shows how they are an important part of Del Rey’s current mindset. They are members-only enterprises that act as their own private community with lavish golf courses, tennis courts and swimming pools, attracting the loyalty of rich customers. Meanwhile, country clubs refer to social status and the presence of class, elegance, and exclusivity. Chemtrails are an infamous conspiracy theory that claims mysterious chemical agents are being dropped on Americans by overhead planes for nefarious government purposes. One of the more interesting components of her new album is the dissection of the title. The eleven tracks on the project contain a bit of country twang that help the songs embody the vigor of heartland saloon music, including the ragtime and honky-tonk of “Dance Till We Die.” She even covers Joni Mitchell’s 1970 song “For Free,” which follows a similar theme of an isolated musician. The pulse of this album is closer to traditional folk music than her other releases and it pays homage to numerous folk figures. Del Rey still connects with her past material but her anecdotes of fame and romance are less melancholy and there’s even a concealed amount of joy in the depths of her mellow tunes. Her affinity for starting anew and escaping the pressures of California is centered on escaping her celebrity and exploring faraway love. Its orchestrations are much smaller in scale than “Rockwell,” and the attention shifts east of California scenic ques that you’ll find on an “underrated spots” TikTok and into a spacious, rural setting, straying from the self-centered public eye. Her previous album “Norman Fucking Rockwell!” was one of 2019’s best and her finest yet, and “Chemtrails Over the Country Club,” released March 19, finds her in similar inspirational territory but based on a surprisingly new environment.

She manages to land in some kind of public controversy on a regular basis, the most recent being an ill-timed Instagram post admiring the romance of Prince Phillip and Queen Elizabeth, but Del Rey has matured – musically at least. Lana Del Rey has grown tremendously as a singer and songwriter while staying firmly planted in her nostalgia-soaked Americana interests. Lana Del Rey – “Chemtrails Over the Country Club” Trauma and passion unify them and also highlight the aggressive, personal strengths in their verses.Īs finals season rears its ugly head, try spinning these albums to pass the time when you’re fed up with reading virtual textbooks and perusing Quizlet: Her songs have always had a soft tinge of intimacy and play out like a fantasy that isn’t always happy or sad but consistently captivating.īrockhampton is a group of born rock stars whose powerful sound packs a sensitive punch that traces back to the members’ respective childhoods.

Lana Del Rey is a fixture in the gentle, minimal side of music. Lana Del Rey and Brockhampton are positioned at each side of this spectrum. Each listener has their respective preferences, and each is just as powerful and sublime as the other. On the other end, abrasive, blaring music can enter at the forefront of your brain and attack your thoughts directly. The haunting subtlety of softer music inserts itself into your deepest memories and is often more nostalgic. These ranges embody different harmonic qualities but are equally evocative.


Like yin and yang, the healing power of loud and quiet music represents duality and a comparative push-pull relationship. There are two contrasting varieties of sound in music, and many far in between.
